#The film was great

[emperor-xerneas]

I just finished Nimona and I loved it. I just feel that some of the themes could have been worked on more, like how the class system only seemed relevant at the start. But I loved the film, and you could really feel the characters come to life

[unluckyprime]

four trans people walk into a movie theater …

[life-in-toontown]

AMEN 🙌

[pokimoko]

I can't keep being fundamentally changed as a person by animated movies, it's just not sustainable.

[superectojazzmage]

Deadpool and Wolverine is the single best portrayal of Wolverine in live action so far because it's the only one that really understands how best to depict him; a grouchy trainwreck of an extremely divorced dad who loves his dysfunctional shitshow of a family but also can't fucking stand them and is THIS close to driving the station wagon off a cliff during the drive to Sunday church with everyone inside in a fit of alcohol-fueled manic depression.

[sockiepuppetry]

The dark lore of transformers animated

[velvet4510]

It’s actually so significant that Charles is introduced in First Class as a guy who uses his thesis as a pick-up line and seeks out girls with some kind of mutation.

It’s clearly indicating that Charles is trying to find a fellow mutant to connect with romantically. Raven’s off the table, since she’s his sister. But he wants to find and build a romantic bond with someone who has a mutation, who is different like he is, and he’s resigned to searching for things like heterochromia and auburn hair because he doesn’t know for sure if there really are more full mutants out there with actual superpowers.

Literally the only reason he starts flirting with Moira is that she has auburn hair, i.e. a mutation.

Then he meets Erik and all the flirtation with random heterochromia women and with auburn-haired Moira stops. Because Erik is what he’s been looking for.

Charles’ entire setup as a character in that film is constructed in a way that the only resolution that makes any sense is him finally finding a real mutant to connect with romantically. And who does he find? Erik Lehnsherr.

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[thecindercrow]

Lackadaisy (Pilot)

[leandrocrossard]

something really cool happened today that i wanted to share:

my nephew is 9 years old, and a stereotypical little boy. he likes dinosaurs, minecraft, and ninjas.

today i walked in on him excitedly watching Nimona with my dad. (minor spoiler warning!)

i had never heard of it, but i sat down and watched some of it, just to see why he was so happy.

he started narrating it, anticipating parts of it, almost as if he’d seen it before. he had.

we didn’t get to finish it, but i watched it on my own, because it looked fun and i wanted to see how it ended.

and i loved it. it was a fun, exciting, fantastical adventure about the importance of acceptance people who are different to us.

and it had a very clear queer subplot.

one that my nephew hadn’t mentioned at all in his explanation of the film. his summary was “it’s about a monster who helps a knight that was framed for killing the queen”.

and honestly yeah, that is what the film was about.

before sharing it with us, he had watched it all, engrossed himself in the story, took it in entirely, and the part he cared about most was whether Nimona got her acceptance. he wasn’t indoctrinated, or confused, or questioning anything about himself.

he didn’t bat an eyelid over a gay love confession. he just enjoyed the film, raved about it, made my 60 year old dad watch the movie about the monster who didn’t fit in.

he’s still the same little boy who’s been asking us how to get a girlfriend.

the only thing a movie centred around queer and queer-coded characters taught my nephew was that those who are different to him are not monsters. that’s it.

and that dragons are really cool.

[bringiton]

"Never jump into a pile of leaves with a wet sucker." IT’S THE GREAT PUMPKIN, CHARLIE BROWN (1966), dir. Bill Melendez.

[backstepping]

ayo edebiri: the movie reviewer we deserve

and her dad also has an account

[twilight-zoned-out]

The Ken dance is so magnificent because it’s reminiscent of the Golden Age of Musicals when there would just be artful dance sequences for no reason other than the director wanted to have one.

[absolutechaosss]

Was anyone going to tell me that the Boy and the Heron is only the international title. The original and real title is How Do You Live?, which is the title of pre existing book that is referenced in the film. More importantly it made me stop obsessing over what makes the heron a deuteragonist so essential his bond with Mahito is crucial to the title and instead look at the themes of progressing in life and over coming grief, something I consider to be a much more moving part of the film. Deeply upset that I was working off that title which feels much blander than How Do You Live. Help

[poirott]

David Suchet watching Poirot clips on Instagram

- Poirot and More clip, December 8 2023 (also on David's Twitter)

[flowerblr]

THE GREAT GATSBY + flowers 🌼